I chose to direct a scene because I felt an emotional connection to it, because it was emotionally powerful to me. After sitting with it for a month, it becomes a pile of puzzle pieces, nuts and bolts that I have to fit together to make a working machine. I have no attachment to it anymore.
To make a parallel claim, the more you repress an emotion, the more you become used to repressing it. You become desensitized to the repression of that emotion, and it no longer means anything. You forget it's there? Maybe. Or you see it as though you're looking at a painting, a film. It's far away, an exhibit.
There is a language for logic. Emotion has no language. To find the language for emotion? That is art.
